Utagawa Hiroshige

Hiroshige Utagawa, born in Edo (modern-day Tōkyō as Andō Jūemon to a lower-ranking samurai family, is considered one of the greatest and most influential ukiyo-e artists in Japanese history.
Initially exposed to art by a fellow firefighter who introduced him to the Kano school of painting, Hiroshige was rejected by Utagawa Toyokuni`s studio but was later accepted by Toyohiro Utagawa in 1811. Under Toyohiro`s tutelage, he adopted his art name and learned traditional painting techniques.
After leaving the fire brigade to focus entirely on art, Hiroshige made a significant impact on the art scene with his series "The Fifty-three Stations of the Tōkaidō" in 1832, depicting the journey along the road connecting Edo to Kyoto. This work highlighted both the beauty of the Japanese landscape and the everyday lives of its citizens, becoming one of his most celebrated successes.
During the period from 1831 to 1843, Hiroshige produced numerous acclaimed series such as "The Sixty-nine Stations of the Kisokaido", "Famous Views of the Sixty-odd Provinces" and "Thirty-six Views of Mount Fuji", culminating with "One Hundred Famous Views of Edo". In addition to landscapes, Hiroshige also created kacho-ga (bird and flower pictures), bijin-ga (pictures of beautiful women), and yakusha-e (actor prints).
Hiroshige`s art was highly prized for its innovative use of perspective and color gradation techniques, which brought natural elements like the sky and water to life with a sophistication that captivated collectors and artists in the West. His influence extended to European impressionists and post-impressionists, such as Toulouse-Lautrec and Van Gogh, who literally copied two of his prints.
Hiroshige died in 1858 during the Edo cholera epidemic, leaving a lasting legacy in the art world. His works continue to be celebrated for their ability to capture the essence of Edo-period Japan and for their profound cultural impact both in Japan and internationally.