Author: Utagawa Kunisada (歌川国貞) here as Toyokuni (豊国).
Subject: Eawase (絵合).
Series: Fifty four scenes from Genji (Genji gojūyon chō, 源氏五十四帖).
Number: 17/54.
Genre: Genji-e (源氏絵).
Size: medium (chūban, 中判) 25cm x 18,1cm (9,84 x 7,12 inches).
Publisher: Tōkokudō/Kiritanidō (桐谷堂).
Period: c. 1852.
Trimmed: no
Backed: no
Code: UKSI01022
Condition: well-preserved colors. There are visible signs of aging, including slight stains and fading, primarily around the edges of the print.
No significant creases, tears, or repairs are evident, suggesting that the print has been well-maintained despite its age. The overall condition
reflects good preservation, allowing the delicate details and colors to remain expressive and impactful.
This print dedicated to the "Tale of Genji" depicts a a noblewoman dressed in an intricate, floral kimono. Her elegant posture and the
tranquil indoor setting emphasize a moment of intimate reflection, characteristic of Heian period literary themes.
This chapter opens with Akikonomu's court presentation, marked by elegance as Genji supports her silently with gifts despite her engagement to another.
Ryozen's interest in painting leads to a court rivalry between Akikonomu and another lady, with both sides seeking to impress with their artwork. Genji aids
Akikonomu with valuable pieces from his collection, eventually helping her win a painting competition at court. The chapter explores themes of artistic
rivalry, support, and the continuing impact of past relationships on Genji's emotional landscape.
On the background a poem from the chapter:
"Ukime mite sono ori yori mo kyou wa mata suki ni shikata ni kaeru namida ka"
"うきめ見てその折りよりもけふはまたすきにしかたにかへるなみだか"
"Having seen sorrow, today again, more than that time, tears return to their natural path."